I started working on this principle by trying simple physical phenomenon, that each of us met in class of physics in elementary school. I started the experiment by putting magnets under the paper and started sprinkling of metal chips on the paper. With a little intuition, luck and effort, I realized that the best images are obtained when sphere is used as a base, on witch magnets are attached. Iron hemisphere, and an iron ball fully transferring relations between the set of the magnets. After that, I tried "an adequate replacement." Metal circles are given an image that corresponds to cross sections of forces that occur on the surface of the iron sphere, but within the field of iron circuit practically nothing has happened. On this basis, I concluded that only an iron sphere may accompany the movement of magnetic force fields around us and is required as a medium that can be made visible or invisible magnetic field, in this case permanent magnets. Also is interesting that hemisphere (thus conclude the sphere) on the inside, or in its cavity gives an inverted image of magnetic field lines than that of the surface.
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| Metal chips on the paper, 150x150 cm, 2010. |
I could not help but notice that the sphericity fits all visuals magnetic field and otherwise. Thought that the whole cosmos is one big pulsating magnetic sphere and condition the entire cosmos and all the forces within it, and I've got the appropriate model in the real environment, so I was excited that I started working hard to produce all possible combinations of drawings obtained by combinations of magnets on iron sphere.
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| Metal chips on the paper, 150x150 cm, 2010. |
On the paper it was shown that drawing largely depends on the height of the set over the sphere, and the fineness and quality of metal chips, of course, the type and preparation of paper that is. cloth, and the resistance, which provided, determines quality of drawings. Spreading of iron chips I had to support by making of light vibrations on the paper, canvas. If I'd like to get a finer drawing I would have to more carefully and less to act on the groundwork, and if I continued making a vibration, or performing strongly, the drawing would become rougher. Fixation had to be careful in "first hand" fixing, not to damage the fine line of the structure. This is a short description of the procedure that I applied to these drawings.
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| Metal chips on the paper, 100x70 cm, 2010. |
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| Metal chips on the paper, 100x70 cm, 2010. |
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